Frameline — the San Francisco International LGBTQ Film Festival — overflows with well-made and exciting features to mark its 41st year.
Here are seven standouts — in addition to the 10 previously mentioned — you need to check out during the festival’s run, June 15-June 25.
In the days ahead, I’ll be posting short reviews of others, including one that’s my favorite in the lineup.
“Beach Rats”: Talented filmmaker Eliza Hittman’s so-real-it-aches Sundance winner is an insightful character study of a hunky, closeted Brooklyn guy and his sexual hookups and hangups. Featuring a breakthrough performance from Harris Dickinson, it fearlessly visits uncomfortable places and spaces. Watch Hittman’s feature-length debut, “It Felt Like Love” too. It’s a knockout. (7 p.m., June 22, Roxie)
“Prom King 2010”: A college student tries to find his groove, not to mention a rock-solid relationship, while in New York. But alas sex and love in the big city is never easy. Christopher Schaap stars and directs, and his first feature is a sumptuously photographed find. (June 19, Castro)
“God’s Own Country”: Francis Lee’s award-winning, feature-length debut makes you feel not only like you’re a part of the rugged Northern England terra firma but that you’re rolling around in earthy passion. His rich drama about two men — a farmer (Josh O’Connor) and a Romanian ranchhand (Alec Secareanu) — and an undeniable attraction is not only wildy sexy but elemental and real. I love this film. (6:30 p.m. June 17, the Castro)
“A Date for Mad Mary”: An anger-prone maid of honor who’s been freshly released from a prison stint makes a mess of things while finding a date in director Darren Thornton’s observant Ireland-set dramedy. This is beautifully played in every way; funny and touching, and best of all honest. Lead Seana Kerslake is a revelation. (June 18, Victoria; June 24, Piedmont)
“Handsome Devil”: In this formulaic but satisfying coming-out tale, a troubled rugby player (Nicholas Galitzine) rooms with his seemingly polar opposite, the much more demonstrative and picked-upon Conor (Fionn O’Shea, so good). What elevates John Butler’s Ireland-set dramedy from its adherence to a template are the characters and performances, including another standout turn from “Sherlock’s” Andrew Scott as a gay English teacher. (1:30 p.m., June 17, Victora; 9:15 p.m., June 20, the Victoria)
“Becks”: After catching her L.A. girlfriend in the cheating act, a forlorn folk singer Becks (Lena Hall) sullenly shrugs her way back to her conservative Midwest roots. Once there she deals with a faith-centered mom (Christine Lahti, stealing every scene she’s in) who struggles to balance a staunch religious convictions with her desire to support her daughter’s happiness. Meanwhile, Becks strikes up a close friendship with the wife (Mena Suvari) of her former high school tormentor. Bolstered by a nifty soundtrack and good performances — particularly from Lahti — “Becks” is a treat. ( 6:30 p.m., June 21, the Castro)
To get tickets, visit frameline.org